McConaughey & Harrelson Clash Over Texas Film Incentives – Who’s Right?

Hollywood heavyweights Matthew McConaughey and Woody Harrelson are butting heads over Texas' film incentive program, sparking a debate that could shape the future of movie-making in the Lone Star State.

The Texas Film Incentive Controversy

Texas has long been a hotspot for filmmakers, but recent budget cuts to the state’s film incentive program have divided industry leaders. While McConaughey argues the incentives are crucial for job creation and economic growth, Harrelson takes a more skeptical stance, questioning whether taxpayer dollars should fund Hollywood productions.

McConaughey’s Stance: "Keep Texas Competitive"

• Economic Boost: Film productions bring in millions in local spending.
• Job Creation: Crew members, caterers, and small businesses benefit.
• Tourism: Iconic films shot in Texas (like Dazed and Confused) attract visitors.

Harrelson’s Counterargument: "Taxpayers Shouldn’t Foot the Bill"

• Corporate Welfare: Big studios don’t need state subsidies.
• Budget Priorities: Funds could go to schools or infrastructure instead.
• Unfair Advantage: Incentives tilt the playing field for indie filmmakers.

What’s at Stake for Texas?

Other states like Georgia and New Mexico have lured major productions away with aggressive tax breaks. If Texas scales back incentives further, productions may flee—taking jobs and revenue with them.

Key Films Shot in Texas

1. No Country for Old Men (2007)
2. Boyhood (2014)
3. The Texas Chainsaw Massacre (1974)

What’s Next?

State lawmakers are reviewing the program, but with A-listers like McConaughey and Harrelson publicly feuding, the spotlight on Texas’ film future has never been brighter.

What Do You Think?

• Should Texas keep funding Hollywood films, or is it a waste of taxpayer money?
• Are McConaughey and Harrelson just fighting for their own paychecks, or do they genuinely care about Texas?
• Would you rather see film incentives or lower taxes for small businesses?
• Is Hollywood exploiting Texas, or is the state benefiting from the exposure?
• Should indie filmmakers get the same incentives as big studios?