From Radio Waves to Stand-Up Stages: How WFMU’s Todd Abramson Became an Unlikely Comedy Star

For decades, Todd Abramson was the voice behind WFMU’s legendary freeform radio waves, curating eclectic playlists that defined underground music culture. Now, he's trading turntables for punchlines, stepping into the spotlight as an emerging force in New York’s comedy scene.

An Unexpected Pivot to Comedy

Abramson’s transition from radio icon to stand-up comic wasn’t a calculated career move—it was born from curiosity. After hosting WFMU’s "Teenage Wasteland" for over 30 years, he found himself drawn to the raw, unfiltered energy of comedy clubs. What started as casual open-mic nights quickly escalated into a full-blown passion.

“There’s a rhythm to comedy that feels familiar,” Abramson admits. “Like radio, it’s about reading the room and taking risks. But instead of a playlist, you’re working with crowd energy.”

Borscht Belt Roots Meet Downtown Edge

His latest performances at Borscht, a Brooklyn comedy hub, blend his deep musical knowledge with self-deprecating wit. Audiences get a mix of:

• Behind-the-scenes radio tales—like the time a band’s live session went hilariously off the rails.
• Observational humor on aging in the punk scene: “I’m the only guy at a hardcore show with a 401(k).”
• Unexpected riffs comparing obscure vinyl records to bad Tinder dates.

Critics note his style—equal parts nostalgic and sharp—has carved a niche in a crowded field. “He doesn’t just tell jokes; he tells stories,” says comedy blogger Mara Freedman.

Why This Shift Matters

Abramson’s journey reflects a broader trend of artists reinventing themselves later in life. In an era where reinvention is often forced by algorithms, his organic pivot stands out. It’s also a testament to New York’s enduring creative spirit—where a DJ can become a comic without leaving his roots behind.

What Do You Think?

• Should radio personalities stick to their lane, or is cross-genre experimentation vital for creativity?
• Does Abramson’s success suggest comedy is becoming the new “punk rock”?
• Is the “aging creative” narrative inspiring, or does it overshadow younger talent?