Unraveling the Mystery: Is M. Night Shyamalan’s Latest Film "Trap" a Twist Too Far?

M. Night Shyamalan has long been synonymous with cinematic surprises, but his recent offerings have left audiences questioning whether the master of the twist has lost his touch. With his new film "Trap," Shyamalan seems to be stepping away from the shock endings that defined his earlier works. Instead, viewers are left with a film that some might describe as tepid. Let’s dive into what makes "Trap" a polarizing addition to his filmography.

Setting the Scene: A Concert with a Chilling Undertone

The film kicks off at a sold-out concert for pop sensation Lady Raven (played by Saleka, Shyamalan's daughter), where a team of SWAT and FBI agents is on high alert. Their mission? To apprehend a notorious serial killer rumored to be attending the show. As suburban dad Cooper (Josh Hartnett) and his daughter Riley (Ariel Donoghue) enjoy the concert, the tension begins to build.

• Main Characters:
  • Cooper: A father trying to bond with his daughter.
  • Riley: A teenage girl excited about her favorite artist.
  • Dr. Josephine Grant: The head of the operation, played by Hayley Mills.
• Supporting Cast:
  • Alison Pill as Cooper's wife.
  • Jonathan Langdon as a merchandise vendor.
  • Marnie McPhail as a fellow concertgoer's mom.

Where’s the Twist?

Unlike his previous films, "Trap" opts for a more straightforward narrative. Once the killer's identity is revealed—spoiler alert, it’s Cooper—viewers are thrust into a series of familiar thriller tropes. The final act outside the stadium feels like a rehash of everything audiences have come to expect from the genre. While the first act sets up an intriguing premise, the execution leaves much to be desired.

Musical Notes and Actor Performances

Shyamalan’s daughter, Saleka, contributes her music to the film’s soundtrack, which adds a personal touch. Unfortunately, her performance as an actress is less than stellar. Hayley Mills, a talent with a rich history in film, feels underutilized, which is disappointing given her legacy in cinema.

Interestingly, some viewers are interpreting the film as a dark comedy, potentially due to Hartnett’s overly dramatic portrayal. The inconsistent tone creates confusion, oscillating between serious drama and unintended humor. While moments of levity emerge, they often clash with the film’s intended atmosphere.

What Does This Mean for Shyamalan’s Future?

With "Trap," audiences are left questioning whether Shyamalan is evolving as a filmmaker or simply running out of steam. The film’s mixture of genres and styles, combined with its predictable plot, raises concerns about the direction of his career. Will he return to his roots of shocking narratives, or are we witnessing a new chapter in his filmmaking journey?

What do you think?

• Is M. Night Shyamalan’s departure from twists a sign of artistic growth or a creative downfall?
• Can you remember a moment in "Trap" that genuinely surprised you?
• Should filmmakers stick to what they’re known for, or is reinvention essential?
• How do you feel about the casting of family members in films? Is it a clever move or a potential conflict of interest?
• What are your thoughts on dark comedies? Can a thriller effectively balance humor and suspense?